When it comes to progressive metal, the challenge for many bands is to carve out their own unique sound amidst a sea of influences. Solothurn, a band from Northern Ireland, has taken on this challenge with their EP, 'High Priestess', and in my opinion, they've crafted an intriguing and promising offering.
The Influence of Giants
Solothurn's music is a fascinating blend of two progressive metal giants: Mastodon and Tool. These bands have left an indelible mark on the genre, and it's no surprise that many artists draw inspiration from them. However, what sets Solothurn apart is their ability to infuse the emotional depth of Alice in Chains into this mix.
One thing that immediately stands out is their maturity. Instead of trying to outdo or imitate their influences, Solothurn has a confident and refreshing simplicity to their sound. They understand the power of restraint and how to create an atmosphere that engages the listener.
Emotional Depth and Hope
The EP tackles bleak themes, including technological alienation and social unrest. Yet, there's an underlying current of hope running through the tracks. This is particularly evident in the title track, 'High Priestess', where the lyrics express a sense of survival and gratitude amidst urban decay. The vocals, delivered with emotion by Ryan Adair, capture this contrast beautifully.
The influence of Jerry Cantrell and Lane Staley is evident in Adair's vocal style, adding a layer of familiarity for fans of Alice in Chains. The guitarists, Dee Cleland and Jamie Wright, further enhance this connection with their rich harmonies, creating a sonic landscape that feels both familiar and fresh.
A Balancing Act
'Breathing Decay' is a standout track, with its haunting melodies and a well-placed scream that adds an intense peak. The band's ability to build tension and release it effectively showcases their skill in crafting dynamic songs.
However, the final track, 'Hollow', falls a bit flat for me. While it explores a different sonic territory, emphasizing atmosphere over riffs, it fails to maintain the listener's interest over its lengthy runtime. It feels like a missed opportunity to end the EP on a high note, especially after the intense build-up of the previous tracks.
Technicality vs. Emotion
What I appreciate about Solothurn is their focus on emotion and atmosphere over technical prowess. In a genre that often prioritizes complexity, this band has a mature understanding of their strengths. The guitar solos, for instance, are more about melody than virtuosity, seamlessly blending into the overall vibe.
Marty Elley's drumming adds subtle nuances, drawing inspiration from Danny Carey without overpowering the other instruments. And the prominent placement of Ross Hunter's bass gives the music a full-bodied sound, adding depth and satisfaction.
Final Thoughts
Solothurn's 'High Priestess' is a solid effort, demonstrating the band's potential to rise above the crowd of progressive metal bands. While it may not be groundbreaking, it showcases a unique voice that deserves attention. I, for one, am excited to see where they take their sound next and how they continue to evolve.
For fans of progressive metal, this EP is definitely worth a listen, especially if you enjoy the works of Mastodon, Tool, and Alice in Chains. It's a promising start for Solothurn, and I look forward to hearing more from them in the future.
